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Lara Somogyi lets open fields turn grief into time you can feel instead of count
Lara Somogyi releases open fields, the latest preview of a [time] patterned, using cascading harp movement to explore grief, healing and peace beyond the clock.
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Sansarin
Breakdown
A modern rock release that turns emotional exhaustion into a full-force confession, delivering raw, intense, and sincere songwriting.
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Cusk make Dooms banjo sound like Shacklewell Arms chaos with a five-song map
Cusk announce their self-titled debut EP and share Dooms banjo, adding another jagged preview to the London group’s improvisation-born alt-rock world.
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Moses Boyd turns Say Yeah into a gospel-jazz mantra bright enough for the sound system
Moses Boyd releases Say Yeah, his first solo single since Dark Matter, drawing from gospel, spiritual jazz and UK sound-system energy.
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Review: DJ Plead - Please
Pitchfork reviews DJ Plead’s Please, a contemplative second LP where Arab-world rhythmic memory, hard drum and spacious electronic production become private language.
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Review: Converge - Hum of Hurt
Pitchfork reviews Converge’s Hum of Hurt, the metalcore band’s second album of 2026, heavier, more deliberate and more urgent than its predecessor.
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Review: LinLin - DISCO INFERNO
Pitchfork reviews LinLin’s DISCO INFERNO, a lean debut grounded in dance styles across the Black diaspora and a playful relationship with Francophone pop history.
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