News
Madeon makes Victory sound like a French pop launchpad being hit with a hammer
By Editorial Team - June 30, 2026
Summary
Pitchfork reviews Madeon’s Victory, the French producer’s first album in seven years, a maximal synth-pop and electroclash return released through Mom+Pop.
Key Facts
- Category: News
- Published: June 30, 2026
- Tags: madeon, victory, electronic pop, electroclash, mom+pop, french electronic, Electronic Pop / Electroclash
Madeon’s Victory gets 30 June review attention, and it sounds like Hugo Leclercq has returned from seven years away determined to make everything louder, shinier and possibly more ridiculous. Pitchfork frames the Mom+Pop release as a warp-speed journey through big-tent synth pop, with the French producer reprogramming his old sample-pad logic for a world of electroclash poses, distorted guitars, hyperactive synths and pop-star ambition. That is both the appeal and the risk. Madeon’s earliest magic came from the joyful hand-speed of a teenager making pop culture feel like a toy box; Victory wants to turn that same energy into a full multimedia identity with couture, projection, guitars and runway-level drama. The result sounds like French electronic maximalism with the good taste knob deliberately loosened. Sometimes victory is elegant. Here it seems to arrive in a red jacket, grinning too hard.
Source: https://pitchfork.com/reviews/albums/madeon-victory/