News

7 October 2026 – Wreck of Time Rebuild an Old Album Dream on Seventh Day

By Editorial Team - October 7, 2026

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Progressive-metal quartet Wreck of Time pictured in black stage attire against a dramatic desert sunset for single Seventh Day.

Summary

Brazilian-American progressive-metal outfit Wreck of Time release Seventh Day featuring Luís Mariutti from their rebuilt twenty-year project Mind Sludge.

Key Facts

  • Wreck of Time release progressive metal track Seventh Day, featuring renowned bassist Luís Mariutti (Angra, Shaman).
  • The single comes from upcoming LP Mind Sludge, a ground-up reconstruction of an album conceived over 20 years ago.
  • Produced and mixed by Rafael Macedo, with mastering handled by Tony Lindgren at Fascination Street Studios in Sweden.
  • Entities: Wreck of Time, Rafael Macedo, Luís Mariutti, Mind Sludge, Seventh Day, Angra, Shaman, Tony Lindgren, Fascination Street Studios
  • Tags: wreck-of-time, seventh-day, mind-sludge, luis-mariutti, rafael-macedo, progressive-metal, metal, brazil

Brazilian-American progressive-metal group Wreck of Time release "Seventh Day" today, the second single from their reconstructed full-length Mind Sludge and another collaboration with Brazilian bassist Luís Mariutti of Angra and Shaman fame. The project is unusual because Mind Sludge is not a conventional new album and not merely a remaster either.

Vocalist, guitarist and producer Rafael Macedo says the material was originally intended to become the band's first album more than two decades ago but never reached the form they wanted. Rather than dusting off old recordings and increasing the volume, Wreck of Time have gone back and rebuilt the music entirely, with Macedo producing and mixing and Tony Lindgren mastering at Fascination Street Studios in Sweden.

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"Seventh Day" follows September single "One Way Street" and gives another indication of how the older compositions have been translated through the musicians they became later. Progressive metal is particularly suited to this sort of archaeological reconstruction because unfinished ideas have a habit of remaining irritatingly alive in the composer's head. Twenty years is admittedly a long revision cycle. At least nobody can accuse Wreck of Time of submitting the first draft.

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