Daily editorial coverage of the indie music world — new releases, album announcements, tour news, label updates, and industry developments. Our news desk covers indie rock, indie pop, electronic, hip-hop, folk, punk, and everything in between.
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Pitchfork reviews Beth Orton’s The Ground Above, a self-produced Partisan album where live arrangements, cracked vocals and grief-heavy writing deepen her late-career renaissance.
KLOF Mag publishes Monday Morning Brew #161, an extra-long weekly playlist featuring Minna, Zach Romeo, Esther Rose, Huw Marc Bennett, Hana Stretton, The Kossoy Sisters, Frankie Archer and more.
Rachael Denny releases Twilight and Dawn, a nature-rooted folk and fingerstyle-guitar collection full of acoustic warmth, mandolin colour and quiet mystery.
Beth Orton releases The Ground Above via Partisan, a self-produced folktronica record shaped by live-room performances, grief, humour and melodic renewal.
Pitchfork reviews Tucker Zimmerman’s Dream Me a Dream, a posthumous folk release that serves as an affecting coda to his Big Thief-assisted late-career return.
Pitchfork reviews John Prine’s Live at Old Town School of Folk, an unedited 2010 concert recording from the Chicago institution where his folk journey began.