Daily editorial coverage of the indie music world — new releases, album announcements, tour news, label updates, and industry developments. Our news desk covers indie rock, indie pop, electronic, hip-hop, folk, punk, and everything in between.
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Pitchfork reviews Beth Orton’s The Ground Above, a self-produced Partisan album where live arrangements, cracked vocals and grief-heavy writing deepen her late-career renaissance.
Chanel Beads release Your Day Will Come via Jagjaguwar, an unclassifiable second album of grief, love, nihilism, cloud-rock tension and unstable hooks.
Parts & Labor announce Set Of All Sets and unveil Seamripper, marking the noise-punk band’s first album in fifteen years with a properly jagged return.
LunchBox President release Home & Fight featuring RooKS, a Brooklyn experimental rock single about the useless foibles of a loving relationship.
Pitchfork reviews BASIC’s self-titled album, a groove-rooted experimental rock record built from live improvisation, Chris Forsyth’s guitar logic and Doug McCombs’ low-end gravity.
20 June catch-up: Cold Court’s Hands Up EP brings noise, funk, rock and disruptive genre-bending energy into Pitchfork’s weekend release shelf.