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10 October 2026 – femtanyl Release All The Time and Demonstrate That Digital Noise Can Be Extremely Catchy

By Editorial Team - October 10, 2026

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Hyper-stylized neon anime cyber-character with pink hair and headphones producing frantic digital noise on a laptop.

Summary

Electronic duo femtanyl release All The Time, their major-label debut single on Columbia Records, blending webcore noise and dance hooks.

Key Facts

  • femtanyl release new single All The Time, marking their debut for Columbia Records.
  • Project formed by Noelle Stockwood and Juno Callender rooted in internet underground culture.
  • Blends abrasive breakcore distortion with punchy, high-tempo pop songwriting.
  • Entities: femtanyl, Noelle Stockwood, Juno Callender, Columbia Records, All The Time
  • Tags: femtanyl, all-the-time, columbia-records, digital-hardcore, breakcore, electronic, hyperpop

Canadian-American electronic duo femtanyl have released "All The Time," their first single since signing with Columbia Records. The project, featuring Noelle Stockwood and Juno Callender, has developed an enthusiastic following through an uncompromising mixture of distorted electronic production, frantic rhythms and abrasive digital textures in modern electronic music.

Their music belongs to a growing underground electronic movement that treats computer-generated noise not as an unfortunate technical problem but as an essential creative ingredient. "All The Time" continues that approach with a dense arrangement that pushes distortion, percussion and synthetic textures toward deliberately overwhelming territory. Yet beneath the apparent chaos lies an unusually strong sense of rhythm and musical structure.

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The major-label signing represents an interesting development for a project whose sound is hardly designed around conventional commercial radio expectations. femtanyl are part of a generation of musicians whose creative language developed through internet communities rather than traditional local scenes. "All The Time" demonstrates that those communities can produce music with a remarkably distinctive identity.

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