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22 September 2026 – Fontaines D.C. Debut 'Tongue' Live and Reveal Rosalía Collaboration

By Editorial Team - September 22, 2026

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Fontaines D.C. performing on a dimly lit atmospheric stage bathed in dramatic blue and crimson light.

Summary

Fontaines D.C. debut ominous new track 'Tongue' live in Brooklyn and confirm a guest feature from Rosalía on upcoming album 'Dopamine Chamber'.

Key Facts

  • Fontaines D.C. debuted brooding new track 'Tongue' live at Brooklyn's Kings Theatre.
  • Tracklist for upcoming LP Dopamine Chamber confirms a guest feature from Rosalía on 'Where Is Gone?'.
  • Full 11-track album arrives October 16, 2026 via XL Recordings.
  • Entities: Fontaines D.C., Dopamine Chamber, Tongue, Rosalía, Where Is Gone?, Kings Theatre, Brooklyn, Dublin, XL Recordings
  • Tags: fontaines-dc, dopamine-chamber, tongue, rosalia, xl-recordings, post-punk, dublin-music

Fontaines D.C. gave another glimpse of upcoming album Dopamine Chamber during their September 21 show at Brooklyn's Kings Theatre, debuting new song 'Tongue' live before details circulated today. The track is a slow-building, bass-heavy piece carrying the sort of ominous pressure the Dublin band have become exceptionally good at creating.

More intriguingly, the newly revealed Dopamine Chamber tracklist confirms the band's first featured guest collaboration: Rosalía appears on a song titled 'Where Is Gone?'. The album arrives October 16 through XL and contains eleven tracks, including previously released single 'Marianne' as well as songs the group have recently been testing live such as 'Six Shot Morning' and 'Happy For You'.

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Fontaines D.C.'s rise from wiry post-punk newcomers to genuinely large international rock band has happened without much evidence that they intend to simplify the music for the bigger rooms. 'Tongue' sounds like another argument against doing so. Within the evolution of post-punk and modern alternative rock, bringing Rosalía into the picture only increases the sense that Dopamine Chamber is less interested in protecting genre boundaries than kicking holes through them.

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