News
27 October 2026 – Titus Andronicus Drummer Eric Harm Announces Solo Debut All The Wrong Moves
By Editorial Team - October 27, 2026
Summary
Titus Andronicus drummer Eric Harm announces humorous, self-deprecating solo debut All The Wrong Moves, produced by Patrick Stickles.
Key Facts
- Titus Andronicus drummer Eric Harm confirms debut solo LP 'All The Wrong Moves' out November 6 on Freeman Street Records.
- Produced by Patrick Stickles with engineering and mixing by bassist R.J. Gordon.
- Lead single 'When You Move Back In' explores themes of humility, domestic failure, and self-deprecation.
- Entities: Eric Harm, Titus Andronicus, Patrick Stickles, R.J. Gordon, Freeman Street Records, All The Wrong Moves
- Tags: eric-harm, titus-andronicus, patrick-stickles, all-the-wrong-moves, freeman-street-records, punk-rock, indie-rock
Eric Harm, drummer and longtime collaborator of American punk-rock group Titus Andronicus, has announced his debut solo album All The Wrong Moves, scheduled for November 6 through Freeman Street Records. The announcement arrives alongside lead single "When You Move Back In", introducing a collection of songs developed with assistance from Titus Andronicus frontman Patrick Stickles.
Harm originally performed with the group between 2007 and 2015 before returning in 2025. His renewed involvement helped establish the creative relationship that eventually led to the solo project. Stickles produced the album, while Titus Andronicus bassist R.J. Gordon handled engineering and mixing. The ten-track collection includes "Bongwater", "Good Times, Bad Dreams", "Little Light", and the wonderfully self-deprecating "Caught Myself Picking My Nose Again".
Harm describes the album's central character as a deeply flawed individual attempting to exercise authority over an embarrassingly insignificant personal kingdom. That description suggests a collection interested in insecurity, failure and the absurdity of human behaviour. "When You Move Back In" introduces those themes through direct songwriting and an intentionally unglamorous perspective.
The album also represents an opportunity for Harm to establish a creative identity beyond his role as a drummer within an established band. Such transitions can be particularly interesting because musicians accustomed to supporting somebody else's songwriting often bring unexpected ideas to their own projects. All The Wrong Moves suggests that Harm has little interest in presenting himself as a flawless rock star. Considering the album's themes and track titles, that approach is probably wise. Fortunately, independent music has always been considerably more entertaining when its performers are willing to acknowledge that they occasionally make spectacularly questionable decisions. Discover more in our punk and garage hub.