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Madonna's Confessions II turns the sequel into a dancefloor argument she actually wins
Madonna releases Confessions II, a Stuart Price-assisted dance record reviewed by Pitchfork and framed as her strongest album in two decades.
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Daily editorial coverage of the indie music world — new releases, album announcements, tour news, label updates, and industry developments. Our news desk covers indie rock, indie pop, electronic, hip-hop, folk, punk, and everything in between.
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Ibeyi turn Offering into a rhythm of release, spirit and self-owned transformation
Pitchfork reviews Ibeyi's Offering, the French-Cuban twins' fourth album and first self-released project on their own label.
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evilgiane keeps #HEAVENSGATE VOL. 2 floating with 25 collaborators and pressurized shimmer
Pitchfork reviews evilgiane's #HEAVENSGATE VOL. 2, a Surf Gang tape linking 25 collaborators through shimmery beats, ambient textures and underground rap momentum.
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Pz makes No Turning Back feel like Georgia rap's polished next-step portal
Pitchfork reviews Pz's No Turning Back, a polished self-released debut from the model-turned-rapper linked to Georgia's next generation.
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Beth Orton howls from inside The Ground Above and makes age sound beautifully weathered
Pitchfork reviews Beth Orton’s The Ground Above, a self-produced Partisan album where live arrangements, cracked vocals and grief-heavy writing deepen her late-career renaissance.
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Fief’s VII turns dungeon synth into a medieval fantasia with tavern smoke and polished swords
Pitchfork reviews Fief’s VII, the Salt Lake City project’s seventh album, which reimagines dungeon synth as luminous medieval fantasy with chants, lutes and alehouse atmosphere.
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