Daily editorial coverage of the indie music world — new releases, album announcements, tour news, label updates, and industry developments. Our news desk covers indie rock, indie pop, electronic, hip-hop, folk, punk, and everything in between.
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Pitchfork reviews Hammok’s When Does This Place Become Our Scene, a Sargent House album full of claustrophobia, confrontation, post-hardcore fury and Oslo scene anxiety.
Norway’s Dødsmaskin release Mare Imbrium from Rommet ble fremmed, a dark ambient, death industrial, drone and power-noise track dated 30 June.
Antipole and Pedro Code release Future Echoes, a darkwave and post-punk album that folds coldwave atmosphere, gothic melody and Norwegian shadow into one clean black mirror.
Motorpsycho release Punch featuring Jello Biafra, revisiting Patrik Fitzgerald’s post-Thatcher protest energy with a heavier Trondheim rock attack.
Norwegian trio Hammok release When Does This Place Become Our Scene, a Sargent House album full of noise-rock pressure, hardcore questions and community tension.
Smerz’s Easy EP is one of the sharpest smaller releases from the 15 May wave and a strong 17 May weekend pick for experimental pop and indie-electronic listeners.