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Gold Panda gets TON UP and swaps home-listening wisdom for hot little house jams
Pitchfork reviews Gold Panda’s TON UP, a fast, unpretentious Studio Barnhus set that turns the producer’s reflective electronica into revved-up house motion.
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BIG|BRAVE remove the drums and let in grief or in hope rumble the bones clean
Pitchfork reviews BIG|BRAVE’s in grief or in hope, a drumless Thrill Jockey release that folds the Montreal trio into resonant, rumbling guitar solitude.
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Tyshawn Sorey makes Members… Don’t! a living argument with Max Roach’s fire
Pitchfork reviews Tyshawn Sorey’s Members… Don’t!, a live uninterrupted reimagining of Max Roach’s 1968 landmark Members, Don’t Git Weary.
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Jaeychino makes IF YOU KNEW sound like hope trying to outrun the block
Pitchfork reviews Jaeychino’s IF YOU KNEW, a bold D.C. rap album balancing grief, ambition, contradiction and glossy DMV-to-cloud-rap production.
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CFCF gives L.U.V. a strobe-lit 2010s makeover with a wink and a pulse
Pitchfork reviews CFCF’s L.U.V., with Montreal’s Michael Silver moving from Y2K electronica into 2010s dance-pop irony, affection and glittering club memory.
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Tucker Zimmerman turns Dream Me a Dream into a happily untidy farewell
Pitchfork reviews Tucker Zimmerman’s Dream Me a Dream, a posthumous folk release that serves as an affecting coda to his Big Thief-assisted late-career return.
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