Witch Post, HEADSEND and Hot Milk join All Points East’s alternative-rock pile-up
All Points East adds Witch Post, HEADSEND, Hot Milk, Ray Bull and The Meffs to Twenty One Pilots’ Victoria Park headline show.
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All Points East adds Witch Post, HEADSEND, Hot Milk, Ray Bull and The Meffs to Twenty One Pilots’ Victoria Park headline show.
Pitchfork reviews Beth Orton’s The Ground Above, a self-produced Partisan album where live arrangements, cracked vocals and grief-heavy writing deepen her late-career renaissance.
Pitchfork reviews Mildred’s Fenceline, a confident East Bay full-length debut blending spectral alt-country, adult indie-rock warmth and sharply observed storytelling.
Pitchfork reviews Fief’s VII, the Salt Lake City project’s seventh album, which reimagines dungeon synth as luminous medieval fantasy with chants, lutes and alehouse atmosphere.
Pitchfork reviews Hammok’s When Does This Place Become Our Scene, a Sargent House album full of claustrophobia, confrontation, post-hardcore fury and Oslo scene anxiety.
Bandcamp Daily names mary in the junkyard’s Role Model Hermit Album of the Day, spotlighting the London trio’s off-kilter drumming, viola chaos and volatile pop instincts.