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Moses Boyd turns Say Yeah into a gospel-jazz mantra bright enough for the sound system
Moses Boyd releases Say Yeah, his first solo single since Dark Matter, drawing from gospel, spiritual jazz and UK sound-system energy.
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Daily editorial coverage of the indie music world — new releases, album announcements, tour news, label updates, and industry developments. Our news desk covers indie rock, indie pop, electronic, hip-hop, folk, punk, and everything in between.
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Fana Hues goes Sweet n Sour and turns Catch N' Release into a ritual of letting go
Fana Hues announces Catch N' Release and shares Sweet n Sour, moving from introspective R&B into a six-track project shaped by curiosity, instinct and release.
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Tommy Barlow makes Won't You Ever Need Me dance while it cries in the corner
Tommy Barlow releases Won't You Ever Need Me via Young and announces his first UK/EU headline tour, turning a home piano idea into a song built to dance and cry at once.
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Adult DVD find Cowboy On Aisle Three somewhere between Lidl panic and rave-mosh chaos
Adult DVD announce their self-titled debut album and share Cowboy On Aisle Three, a high-energy Leeds electro-punk character piece fit for both rave and mosh pit.
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Gurriers draw Party Lines through war, hypocrisy and guitar-driven frustration
Gurriers release Party Lines, the latest single from Nobody's Coming To Save You, confronting political hypocrisy, aid, weapons and the war in Sudan through dance-punk urgency.
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Muse blast The Wow! Signal into space and somehow make the cosmos feel overcrowded
Pitchfork reviews Muse’s The Wow! Signal, a space-themed 10th album that aims for return-to-form scale while doubling down on gargantuan excess.
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