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Chalk say Get F*cked and let Kettama put fresh electricity into the wires
Belfast post-punk outfit Chalk release Get F*cked, their first new music since Crystalpunk, teaming with Irish producer Kettama for a sharper club-tinted punch.
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Daily editorial coverage of the indie music world — new releases, album announcements, tour news, label updates, and industry developments. Our news desk covers indie rock, indie pop, electronic, hip-hop, folk, punk, and everything in between.
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Beyond The Music moves to Salford and puts AI, wealth gaps and creator rights on the table
Beyond The Music confirms its 2026 conference programme, moving to MediaCity in Salford with panels on AI, catalogue acquisition, creative wealth gaps and new music showcases.
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Witch Post, HEADSEND and Hot Milk join All Points East’s alternative-rock pile-up
All Points East adds Witch Post, HEADSEND, Hot Milk, Ray Bull and The Meffs to Twenty One Pilots’ Victoria Park headline show.
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Beth Orton howls from inside The Ground Above and makes age sound beautifully weathered
Pitchfork reviews Beth Orton’s The Ground Above, a self-produced Partisan album where live arrangements, cracked vocals and grief-heavy writing deepen her late-career renaissance.
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Mildred build Fenceline from adult lives, spectral country and novelist-level detail
Pitchfork reviews Mildred’s Fenceline, a confident East Bay full-length debut blending spectral alt-country, adult indie-rock warmth and sharply observed storytelling.
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Fief’s VII turns dungeon synth into a medieval fantasia with tavern smoke and polished swords
Pitchfork reviews Fief’s VII, the Salt Lake City project’s seventh album, which reimagines dungeon synth as luminous medieval fantasy with chants, lutes and alehouse atmosphere.
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