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Harmony Tividad makes Lifetime feel like Girlpool memory caught in hyperpop sunlight
Pitchfork reviews Harmony Tividad’s Lifetime, her second solo album and a return toward indie-pop intimacy after the maximalist detours of Gossip.
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Daily editorial coverage of the indie music world — new releases, album announcements, tour news, label updates, and industry developments. Our news desk covers indie rock, indie pop, electronic, hip-hop, folk, punk, and everything in between.
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Lifted turn Movie into arthouse ambience with CDJs, bagpipes and studio ghosts
Pitchfork reviews Lifted’s Movie, an Outside Time release built from CDJs, improvising players, ambient-jazz sketches, Foley sound and arthouse-cinema pacing.
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Teller Bank$ turns Mathematics into Iowa memory, vapor and number-coded grief
Pitchfork reviews Teller Bank$’ 3x6x =666, 3x1x=111 3x7x =777,3x5x=555 3x9x =999,3x3x=333, also known as Mathematics.
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F/i’s Invisible Men reappear from the deep underground with psych machinery still humming
Bandcamp Daily names F/i’s Invisible Men Album of the Day, spotlighting the Milwaukee underground band’s long-running space-rock, psych and noise legacy.
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Burnt Bakarak pours Leftover Gravy over Detroit beat science and calls it dinner
Bandcamp Daily’s June hip-hop roundup highlights Burnt Bakarak’s Leftover Gravy, a 15-track beat tape from Detroit collective Common and Normal.
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SOO DO KOO makes gary feel like an Albany rap gateway full of fuzzy samples and philosophy
Bandcamp Daily’s June hip-hop roundup spotlights SOO DO KOO’s gary, an off-kilter Albany rap project full of lo-fi soul loops and strange verbal turns.
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