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Charli XCX winks at the camera and makes the rollout feel dangerous again
Charli XCX releases Wink Wink, the third preview of Music, Fashion, Film, arriving with an Aidan Zamiri-directed video and another dose of controlled chaos.
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Daily editorial coverage of the indie music world — new releases, album announcements, tour news, label updates, and industry developments. Our news desk covers indie rock, indie pop, electronic, hip-hop, folk, punk, and everything in between.
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Steve Lacy and SZA ask Is It Cool? while romance self-sabotages in stereo
Steve Lacy shares Is It Cool? featuring SZA, a back-and-forth single from his upcoming album Oh Yeah? about romance trouble and self-sabotaging habits.
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Alewya resets the map with ZERO and lets London’s underground pulse meet Ethiopian rhythm
Alewya releases ZERO via Because London, a debut album built from Ethiopian-Egyptian identity, London underground energy, texture, intuition and spiritual motion.
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Beth Orton rises through The Ground Above with self-produced grace and weathered light
Beth Orton releases The Ground Above via Partisan, a self-produced folktronica record shaped by live-room performances, grief, humour and melodic renewal.
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Chanel Beads make Your Day Will Come sound like a mantra losing its balance
Chanel Beads release Your Day Will Come via Jagjaguwar, an unclassifiable second album of grief, love, nihilism, cloud-rock tension and unstable hooks.
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Downtown Boys turn Public Luxury into a polished riot with the teeth still showing
Downtown Boys return with Public Luxury via Sub Pop, their first album in nine years, bringing righteous fury, sharper production and renewed political charge.
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